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Banana Leaf Theory, reproduction eames rocker, artificial plant, rubberized plastic, fiberglass, rubber, 78 x 45 x 43 in.
Banana Leaf Theory, reproduction eames rocker, artificial plant, rubberized plastic, fiberglass, rubber, 78 x 45 x 43 in.
Easy Ride, 2014, wood rubberized plastic, glass, artificial plant, fiberglass, rubber, jute macrame, comic books, television, dimensions variable
Easy Ride, 2014, wood rubberized plastic, glass, artificial plant, fiberglass, rubber, jute macrame, comic books, television, dimensions variable
Paradies Amerika, 2014, 5 channel video
Paradies Amerika, 2014, 5 channel video
Water Logic (Sex and Rockets, City of Quartz), 2014, light-jet print mounted on board, 12 x 16 in.
Water Logic (Sex and Rockets, City of Quartz), 2014, light-jet print mounted on board, 12 x 16 in.
Surf Nazis #4 (Red), 2014, enamel and ink on neoprene, 42 x 42 in.
Surf Nazis #4 (Red), 2014, enamel and ink on neoprene, 42 x 42 in.
Paradies Amerika Map (Pacific Palisades), 2014, ink on watercolor paper, 30 x 23 in.
Paradies Amerika Map (Pacific Palisades), 2014, ink on watercolor paper, 30 x 23 in.
Long Wharf Monument, 2014, concrete, steel, 294 x 96 x 96 in.
Long Wharf Monument, 2014, concrete, steel, 294 x 96 x 96 in.
When the Levee Breaks, 2013, 16mm film, color with sound, TRT 145 min.
When the Levee Breaks, 2013, 16mm film, color with sound, TRT 145 min.
Water Damage (Detective Comics #1), 2012, ink on water color paper, 16.125 x 12.125 in.
Water Damage (Detective Comics #1), 2012, ink on water color paper, 16.125 x 12.125 in.
Water Damage (Marvel Comics #1), 2012, ink on water color paper, 16.125 x 12.125 in.
Water Damage (Marvel Comics #1), 2012, ink on water color paper, 16.125 x 12.125 in.

1972 —

Born in Charleston, SC

 

 

EDUCATION

 

1999 —

University College London, Slade School, London, UK

 

2000 —

MFA, City University of New York, Hunter College, New York, NY

 

2002 —

Skowhegan School of Painting and Sculpture, Skowhegan, ME

 

 

The artist lives and works in Los Angeles, California

 

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SELECTED SOLO EXHIBITIONS AND SCREENINGS

 

2016 —

Parapet Real Humans, St. Louis, MO 

 

2015 —

Pacific Palisades, Blum & Poe, Los Angeles, CA

 

2014 —

HDA&T, Green Gallery at the Suburban, Oak Park, IL

Paradies Amerika, Marlborough Chelsea, New York, NY

Golden State, MOCA, Tucson, AZ

Study for Paradies Amerika (City of Quartz), Hammer Museum, Los Angeles, CA

 

2013 —

Spiral Jetty/Crystal Voyager/Region Centrale (Bootlegged, Re-ordered, Combined, Sometimes More, Sometimes Less), c.nichols project, Mar Vista, CA

Comic Books, Inverted Stamps, Paranoid Literature, Marlborough Chelsea, New York, NY

 

2012 —

for Sailors, Mermaids, Mystics. for Kustomizers, Grinders, Fender-men. for Fools, Addicts, Woodworkers and Hustlers. (Doubled) and Punch Film (Larry’s Last Party), The Standard, Los Angeles, CA, organized by Art Production Fund

Spiral Jetty/Crystal Voyager/Region Centrale (Bootlegged, Re-Ordered, Combined, Sometimes More,

Sometimes Less), Green Gallery, Milwaukee, WI

 

2011 —

Spiral Jetty/Crystal Voyager/Region Centrale (Bootlegged, Re-Ordered, Combined), Blum and Poe, Los Angeles, CA

Bootlegged, Re-ordered, Combined, Renwick Gallery, New York, NY

Spiral Jetty/Crystal Voyager/Region Centrale (Bootlegged, Re-Ordered, Combined), Nichols Beach House, Los Angeles, CA

 

2010 —

The World is Yours, Locust Projects, Miami, FL

American Werewolf, Frieze Frame, Renwick Gallery at Frieze Art Fair, London, England

 

2009 —

Untitled (Baldwin Hills), LA><ART, Los Angeles, CA

for Rats, Pigeons, Canaries, Renwick Gallery, New York, NY

for Sailors, Mermaids, Mystics. for Kustomizers, Grinders, Fender-men. for Fools, Addicts, Woodworkers and Hustlers. (Doubled), Blum and Poe, Los Angeles, CA

 

2008 —

In Practice, Sculpture Center, Long Island City, NY

LHaNT, Angstrom Projects, Dallas, TX

Punch Pictures, Redling Fine Art, Los Angeles, CA

 

2007 —

rongWrong, Wrong Gallery at LA><ART, Los Angeles, CA

(Untitled) Ladera Heights, TRUDI, Los Angeles, CA

Untitled (Ladera Heights), Angstrom Gallery, Los Angeles, CA

 

2006 —

Subway Sessions, MoMA PS1 Contemporary Arts Center, Long Island City, NY

Les Films de Drew Heitzler, Circuit, Laussane, Switzerland

 

2003 —

Subway Sessions, Lichtspiel, Bern, Switzerland

 

2002 —

Subway Sessions, Anthology Film Archives, New York, NY

 

 

TWO AND THREE PERSON EXHIBITIONS AND SCREENINGS

 

2014 —

TSOYW, with Amy Granat, The Noveau Festival, Centre Pompidou, Paris, France

 

2012 —

Spiral Jetty/Crystal Voyager/Region Centrale (Bootlegged, Re-Ordered, Combined, Sometimes More, Sometimes Less) and Observations on a Bowl of Fruit – Bananas, The Standard, Hollywood, CA organized by Art Production Fund (with Amy Granat)

Leaving the Museum, Kunsthalle Zurich, Zurich, Switzerland (with Amy Granat)

 

2011 —

TSOYW, Tivoli Theatre, St. Louis, MO (with Amy Granat)

 

2010 —

Observations on a bowl of fruit (Mango) BANANA’S, Galerie Vidal Cuglietta, Brussels, BE (with Amy Granat)

 

2009 —

Amy Granat, Drew Heitzler, Olivier Mosset, The Suburban, Oak Park, IL

Popcorn at Potluck: Michel Auder & Drew Heitzler, Country Club, Los Angeles, CA

 

2008 —

TSOYW, doArt Gallery, Beijing, China (with Amy Granat)

 

2007 —

Amy Granat, Drew Heitzler, Olivier Mosset, Wallspace, New York, NY

Black Box/White Cube, Sandroni Rey, Los Angles, CA (with Flora Wiegmann)

World’s Largest Walkie Talkie Network, LA><ART, Los Angeles, CA (with Flora Wiegmann)

 

 

SELECTED GROUP EXHIBITIONS AND SCREENINGS

 

2015 —

I Saw the Earth Like a Broken Egg, Christian Berst Art Brut, New York, NY

Brunch Over Troubled Water, Plutschow Gallery, Zurich, Switzerland

 

2014 —

Broadway Morey Boogie, Marlborough Chelsea, New York, NY

 

2013 —

Exposition de groupe, curated by Olivier Mosset, Cultural Services of the French Embassy, New York, NY

Café Paradiso, curated by Annette Hans, Arthur Boskamp-Stiflung M.1, Hohenlockstedt, Germany (with Amy Granat)

10 Years, Wallspace, New York, NY

Drive-In, curated by Sarvia Jasso, Blum and Poe, Los Angeles, CA

White House, curated by Vincent Szarek, Galerie Clemens Gunzer, Zurich, Switzerland

Pizza Time, curated by Vera Neykov, Marlborough Broome Street, New York, NY

 

2012 —

Hell Raisers, curated by Olivier Mosset, Galerie Lange + Pult, Zurich, Switzerland

Hell Raisers, curated by Olivier Mosset, Galerie Les Filles Du Calvaire, Paris, France

Ball of Artists, curated by Lauri Firstenburg, Graystone Mansion, Los Angeles, CA

Venice Beach Biennial, curated by Ali Subotnik, Venice, CA

WAX Magazine Launch Party, The Wooly, New York City, New York

Eagles, Marlborough Madrid, Madrid, Spain

Sunday @ 4, curated by Joey Kotting, Todd Madigan Gallery, California State University, Bakersfield, CA

The Black Whale, Museo de Arte Contemporanea de Vigo, Vigo, Spain

Moveable Facture, VIVO Media Arts Centre, Vancouver, Canada (with Amy Granat)

 

2011 —

From The Recent Past: New Acquisitions, curated by Alma Ruiz, Museum of Contemporary Art, Los Angeles, CA

Kaleidoscope Arena, curated by Joanna Fiduccia, MACRO, Rome, Italy

Greater L.A., curated by Benjamin Godsill, 483 Broadway, New York, NY

Make Skateboards, I-20 Gallery, New York, NY, traveled to White Flag Projects, St. Louis, MO

Over the City and Through the Woods, curated by Fritz Chesnut, Statler Waldorf Gallery, Los Angeles, CA

Disorder, curated by Joey Kotting, Todd Madigan Gallery, California State University, Bakersfield, CA

The Smithson Effect, curated by Jill Dawsey, Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT (with Amy Granat)

Jacob Kassay Selects, Film Screening, Institute of Contemporary Art, London, England (with Flora Wiegmann)

Mods Vs Rockers, curated by Vincent Szarek, Off White, Brooklyn, NY

 

2010 —

Out of Focus, curated by Justin Beal, Sala Pelaires, Mallorca, Spain

The Secret (Still) Knows, curated by Shamim Momin, LAND at LAB, Los Angeles, CA

Frame Rate, curated by Shamim Momin, LAND at Lindblade Lounge, Los Angeles, CA

California Dreaming, curated by Fred Hoffman, PortugalArte 10, Lisbon, Portugal

Bidoun Video, curated by Aram Moshayedi, Art Dubai, Madinat Jumeirah, United Arab Emirates, traveled to Museum Alex Mylona, GR and Cermodern, Ancara, Turkey

Invisible Publics, video section curated by Aram Moshayedi, Townhouse Gallery, Cairo, Egypt

The Secret Knows, curated by Shamim Momin, LAND, Austin, TX

The California Biennial, curated by Sarah Bancroft, Orange County Museum of Art, Newport, CA

The Artist as Collector, curated by Olivier Mosset, Museum of Contemporary Art, Tucson, AZ

Second Story, Pepin Moore, Los Angeles, CA

Art Video, curated by Laurie Firstenberg, Art Basel Miami, Miami, FL

Made in Tucson, Born in Tucson, Live in Tucson, curated by Anne-Marie Russel, Museum of Contemporary Art, Tucson, AZ (with Amy Granat)

 

2009 —

Put On, Circus Gallery, Los Angeles, CA

1999, China Art Objects at Cottage Home, Los Angeles, CA

Eighth Veil, curated by Alexandra Gaty, Eighth Veil, Los Angeles, CA

Fantastic Voyage, curated by Craig Baldwin, Other Cinema, San Francisco, CA

Strip Stripe, curated by Amy Granat, Emily Harvey Foundation, New York, NY

Portrait de l’Artiste en Motorcycliste, curated by Olivier Mosset, Magasin, Grenoble, France,

traveled to Musée des Beaux-Arts, Chaux-de-Fonds, Switzerland

Pruesspress @ Ritter/Zamet, Ritter/Zamet, Berlin, Germany

Invasion of Sound, curated by Agnieszka Morawinska and Francois Quintin, Zacheta National Gallery of Art, Warsaw, Poland (with Amy Granat)

Born To Be Wild, curated by Konrad Bitterli, Kunstmuseum, St. Gallen, Switzerland (with Amy Granat)

There is No(w) Romanticism, Galerie Les Filles du Calvaire, Bruxelles, Belgium (with Amy Granat)

Goodbye 20th Century, Toronto Images Festival, York Quay Gallery, Toronto, CA (with Amy Granat)

 

2008 —

Boofthle, Pauline, Los Angeles, CA.

New York Underground Film Festival, Anthology Film Archives, New York, NY

Bendover/Hangover, Cinema Zero at White Flag Projects, St. Louis, MO

Preusspress @ Rental, Rental Gallery, New York, NY

Please Stay Out, We’re Open, Redling Fine Art, Los Angeles, CA

“How To…” and “Film Noir” with Intermission, curated by Andrew Berardini, Chinatown L.A., Los Angeles, CA

Champion Zero, curated by Flora Wiegmann, Rental Gallery, New York, NY

Fall Collection, Kreiling &, Los Angeles, CA

2008 Whitney Biennial, curated by Shamim Momin and Henriette Huldisch, Whitney Museum of American Art, New York, NY (with Amy Granat)

Los Angeles Confidential, curated Allyson Spellacy and Sandra Patron, Parc Saint Léger–Centre d’Art Contemporain, Pouges-les-Eaux, France (with Amy Granat)

Sturm und Drang, Galerie Kamm, Berlin, Germany (with Amy Granat)

Black Noise, CNEAI, Paris, France (with Flora Wiegmann)

 

2007 —

88:88, curated by Renaud Proch, The Project, New York, NY

No Jerks, curated by Matt Chambers, Rental Gallery, New York, NY

Orchids for Orchard, curated by Amy Granat, Cinema Zero at Orchard, New York, NY

From Here to the Ocean, curated by Daniel Baumann, (New) Forde, L'Usine, Geneva, Switzerland

Trabant #2, Cinema Zero at Austellungsraum Klingental, Basel, Switzerland

Etceteras of the Carrerond, curated by Amy Granat, Cinema Zero at Collective Unconscious, New York, NY

The Trans-Aestheticization of Daily Life, curated by Peter Zellner, Sweeney Art Gallery, University of California, Riverside, CA

Deer and Beer, curated by Ann Craven, Mandrake, Los Angeles, CA

Black Noise, Mamco, Geneva, Switzerland (with Flora Wiegmann)

 

2006 —

CarreRond, curated by Amy Granat, Cinema Zero at Centre Culturel Suisse, Paris, France

From Here to the Ocean, curated by Daniel Baumann, presented by the Swiss Institute, Monkeytown, Brooklyn, NY

Group Hallucinations (or) The Object So Perceived, curated by Amy Granat, Cinema Zero at Maison de La Culture, Bourges, France

Lovely Shanghai Music, curated by John Armleder and Team 404, Hannover, Berlin, Germany and Shanghai, China

dancevideovideodance, Monkeytyown, Brooklyn, NY (with Flora Wiegmann)

 

2005 —

Sugartown, Elizabeth Dee Gallery, New York, NY

Visual Noise, curated by Margo Victor, The Happy Lion, Los Angeles, CA

 

2004 —

On A Wave, curated by Reed Anderson, Jessica Murray Projects, Brooklyn, NY

Tuesday Is Gone, curated by Daniel Baumann, Karvasla, Tbilisi, Georgia

Aux Frontieres du Degree Zero, curated by Olivier Mosset, Space102 and Spacejunk Gallery, Grenoble, France

Surf Culture: The Art History of Surfing, curated by Carlos McCormick, Milk Studios, New York, NY

 

2003 —

Water, Water, curated by Lilly Wei, Rotunda Gallery, Brooklyn, NY

The Reconstruction, Exit Art, New York, NY

5th Annual Video Marathon, Art in General, New York, NY

Yellow Pages Project, curated by John Armleder and Team 404, Turm Gallery, Helmstedt, Germany

Socialism, A Love Letter, Fia Backström Project, Brooklyn, NY

On The Line, d.u.m.b.o. Arts Center, Brooklyn, NY

 

2002 —

Looking In, curated by Trevor Schoonmaker, Lower Manhattan Cultural Council, New York, NY

Superlounge, video section curated by Daniel Baumann, Kunsthaus Baselland, Basel, Switzerland

 

 

PUBLIC COLLECTIONS

 

Museum of Contemporary Art, Los Angeles, CA

Orange County Museum of Art, Newport, CA

Deutsche Bank Collection, Berlin, DE

Whitney Museum of American Art, New York, NY